Joe Pug

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Joe Pug’s new record “The Flood In Color” is nearly four years in the making. But that betrays the fact that the making of the album was one of the most natural and rewarding processes of his career. Produced by Kenneth Pattengale, the album started with the goal of focusing on the simplicity of musicians playing together, live, in the same room. Recently relocating back to his childhood home in Prince Georges County, Maryland after many years spent in Chicago and Austin, Pug wanted take a new approach. The partnership with Pattengale proved to be an irresistible opportunity to do just that.

 Kenneth put together an A+ group of musicians. And then we sat around a table, talked about the song for a bit, ran through it, and then pressed record. It was a revelation, and all the credit in the world to Kenneth for recognizing how important that would be. As a musician there are so many things that can get in the way of actually making music. What Kenneth did was to methodically strip those things away. “

In 2015 Pug also launched the aforementioned podcast, which has gone on to enjoy tremendous success. “The Working Songwriter” is a monthly hour-long conversation with some of today’s best songwriters. Recent guests have included Josh Ritter, Amanda Palmer, Steve Earle, Brandon Flowers, Craig Finn, Ian MacKaye, Shakey Graves, Anais Mitchell and John Paul White. While its audience has grown, it’s always been more of a labor of love for Pug. “I didn’t hear the podcast I wanted to listen to, so I went ahead and just created it. From the very beginning I had a pretty clear vision of what I wanted it to be. From there it was just a matter of convincing anyone to be on it! 

“It’s made me reach out to the small community of people that do this for a living and given me a real sense of community. It started out with lots of friends and colleagues that I already knew, but since then I’ve gotten the opportunity to talk to lots of artists I hadn’t met prior. And it has been this absolutely incredible avenue to learning more about artists across genres. And in the process also learning about these very subtle but undeniable common threads that we all share because of our line of work.”

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